Sara

Benaglia

Bergamo, 1983

Manuale di Comportamento | 2011

Manuale di Comportamento, 2011
(Manual Behaviour)
(Behaviour precedent. Foto-Documentation, Color Lambda Print on aluminium)
40 x 26 cm
Foto: Daniele Maffeis
Courtesy: Spazio ALT - Arte e Territorio, Alzano Lombardo (Bg)


I executed some exercises in a private collection with some contemporary artists works of art, italians and not. The project is the result of a process that brought me to deny my identity as artist for thinking about myself first of all as a passive receptor of signals: an informed spectator. Woman, in Lonzi's radical feminism, embodied the figure of the spectator of artworks which lived completely oblivious to itself and to its creative abilties. I sustain that doing gymnastics is, in its absurd thoughtlessness, a form of action that, proposing the public to let down in a gestural role, could show her/him the farce of author and spectator’s categories whose gender and identity is never neutral.

Manuale di Comportamento, 2011
(Manual Behaviour)
(Color Lambda Print on aluminium)
40 x 26 cm
Foto: Daniele Maffeis
Courtesy: Spazio ALT - Arte e Territorio, Alzano Lombardo (Bg)


Manuale di Comportamento, 2011
(Manual Behaviour)
(Foto-Documentation, Color Lambda Print on aluminium)
40 x 26 cm
Foto: Daniele Maffeis
Courtesy: Spazio ALT - Arte e Territorio, Alzano Lombardo (Bg)


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