Sara

Benaglia

Bergamo, 1983

La gelosia della forma | 2014

La gelosia della forma, 2014
(The jealousy of the form)
(Performance with chromed steel tubolar on humus)
70x70x70cm
Foto: Tiziano Doria


The project was born from the study of “sad areas” in northern Italy, that were subjected to stress identity in transition from plow to industry.
While the party of the Lega Lombarda used ancient symbols, like the Sun of the Alps, in order to demonstrate a Nordic and Celtic progeny of the people of Padania, the introducion of physical education in the nascent Kingdom of Italy was held by the Swiss gymnasiarch Rodolfo Obermann in 1848.
The sculpture gym recalls the medieval term Bauhütte, the loggia of the masons, through the use of steel in rationalistic forms.

La gelosia della forma, 2014
(The jealousy of the form)
(Performance with chromed steel tubolar on humus)
90x80x40 cm, 120x340 cm
Foto: Tiziano Doria
La gelosia della forma, 2014
(The jealousy of the form)


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